He orders a black coffee and counts his change. The TV news report momentarily distracts him. He exits onto a busy London street. Familiar sights, such as red busses, rickshaws, taxis, pedestrians. He casually pulls a bottle of whiskey from his jacket pocket and tops up his coffee. Theo is introduced as part of a crowd, a not particularly special everyman.
His clothes are drab, blending into the colour scheme around him. However, he also stands out in some ways. He enters and exits the cafe, while the crowd stay still inside. He turns his back here literally on other people and on the situation in the wider world. He buries his head in the sand. Detached, unkempt, scruffy beard, glasses, Theo is a veteran of hopelessness.
He gave up before the world did. He used to be an activist but gave it up when his son died. To tell a narrative, we need to focus in on a set group of characters. There are many important scenes that help to develop the film. The last scene particularly intriguing as it left questioning viewers to come to their own conclusions Children of Men explores the key ideas of hope and faith in the face of futility and despair.
The dystopian film is. A private utilization of such idealistic visions. Two films I have studied were directed by a renowned and profound director Alfonso Cuaron are Children of Men and Gravity. Each of my four selected texts relate to the general theme of survival. I have found several important connections relating to this theme. I have found the following connections that these texts explore and portray to the audience.
Firstly, I have found connections relating to how the will to survive. London, In this dystopian world, humans have been incapable of reproducing for eighteen years for an unknown reason, meaning the imminent extinction of the species. Britain is the one remaining civilized society on the planet, which has resulted in people wanting to immigrate there. As such, it has become a police state in order to handle the immigrants, who are placed into refugee camps.
Lowly government bureaucrat Theo Faron, once an activist, is approached by the Fishes, deemed a terrorist group, led by his ex-wife Julian Taylor, who he has not seen in close to twenty years, their marriage which disintegrated following the death of their infant son Dylan during the flu pandemic. Although the Fishes did use terrorist means in their on-going revolution against the state in the fight for immigrant rights, Julian vows that they now garner support solely by speaking to the people.
What she wants is for Theo to use his connections to get transit papers for a young immigrant woman named Kee who needs to get to the coast. Although initially reluctant to do it because of the difficulty, Theo is able to grant Julian this favor, however with the change that he now needs to accompany Kee on her journey. As Theo and Kee progress on that journey, Theo learns more and more about what's going on, including the reason that Kee needs to get to the coast, the fact that no one in the group knows if their end destination even exists, and that his and Kee's lives are in greater danger than he believed when they started the journey.
But Theo's sole mission becomes to help Kee at any cost for the survival of the species. The world's youngest citizen has just died at the age of eighteen, and humankind is facing the likelihood of its own extinction. Set in and around a dystopian London fractious with violence and warring nationalistic sects, this movie follows the unexpected discovery of a lone pregnant woman and the desperate journey to deliver her to safety and restore faith for a future beyond those presently on Earth.
She thought I cared less because I loved less, and she was right about that too. I was glad to be a father.
When Helena told me she was pregnant I felt what I presume are the usual emotions of pride, tenderness, and amazement. I did feel affection for my child, although I would have felt more had she been prettier, more affectionate, more responsive, less inclined to whine.
She has been dead for almost twenty-seven years and I still think of her with complaint. The task of writing his journal—and Theo thought of it as a task, not a pleasure—had become part of his over-organized life, a nightly addiction to a weekly routine half imposed by circumstance, half deliberately devised in an attempt to impose order and purpose on the shapelessness of existence.
Seeing the mess, not knowing how to put it right. Perhaps not wanting to put it right. Perhaps He only had enough power left for one final intervention. So He made it. You know what evils have been perpetrated through the ages to ensure the survival of nations, sects, religions, even individual families.
Whatever man has done for good or ill has been done in the knowledge that he has been formed by history, that this life-span is brief, uncertain, insubstantial, but that there will be a future, for the nation, for the race, for the tribe.
That hope has finally gone. Man is diminished if he lives without knowledge of his past; without hope of a future he becomes a beast. Like them, get yourselves butchered on the beaches? There are only two reasons for that kind of folly. One is that you have a yearning for martyrdom.
In seventy years it will have no value because there will be no one left on earth to give it value. The second reason is more ignoble and Xan would understand it very well.
If you did succeed, what an intoxication of power! The Isle of Man pacified, the redeemed kissing the hands of the living saint who made it all possible. Absolute power in your little kingdom.
He went upstairs to fetch his coat, and, mounting one more staircase to the small back room, slipped his diary into the large inner pocket. The action was instinctive; if asked, he would have had difficulty in explaining it even to himself. He had no premonition that he was leaving for more than a few hours the life which the diary chronicled and this echoing house enclosed. And even if the journey were the beginning of an odyssey, there were more useful, more valued, more relevant talismans which he could have slipped into his pocket.
If she was going to die of shock it would have happened when you first showed her the gun. It was natural causes, it must have been. She was old and she had a weak heart. You told us. When have I ever meant anything? I actually enjoyed it! I enjoyed the excitement, the power, the knowledge that I could do it.
Carl looked down at the child with his dying eyes. He looked down at the great sapphire in its glitter of diamonds, aware of its weight. Placing it on his hand had been a gesture to assert authority and ensure protection. There were evils to be remedied; but they must take their turn.
Was that what Xan had found? And was this sudden intoxication of power what Xan had known every day of his life? Julian looked up at him. For the first time she noticed the ring. It must be for him to decide when he would take it off. I shall take it off in time. The Children of Men. Plot Summary. Isolationism Power and Ambition. LitCharts Teacher Editions. Teach your students to analyze literature like LitCharts does.
Detailed explanations, analysis, and citation info for every important quote on LitCharts. The original text plus a side-by-side modern translation of every Shakespeare play. Sign Up. Already have an account? Sign in. From the creators of SparkNotes, something better. Literature Poetry Lit Terms Shakescleare. Download this LitChart! Teachers and parents! Struggling with distance learning? Themes All Themes. Symbols All Symbols.
Theme Wheel. Everything you need for every book you read. The way the content is organized and presented is seamlessly smooth, innovative, and comprehensive. When the novel begins, he is reeling from the fallout of personal tragedy, the waning relevance of his profession, and lack of hope for a future as he enters his fiftieth year. Theo begins writing in a diary at the start of the novel, and soon becomes obsessed with the task of recording his daily life in an effort to assume some control and order over its seemingly meaningless events.
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