Recorder how many holes

Musical Instrument Guide. The Structure of the Recorder How is the sound of a recorder produced? Recorder scale secrets Among the features that contribute to producing the sound of the recorder, the size of the tone holes, their location, and the internal shape of the bore the mensur are the three most important factors. Tone hole size If you look closely at a recorder, you will see that the size of the holes varies.

Tone hole position The tone holes of a recorder tend to be thought of as being positioned at regular intervals, but that is not actually the case. Internal shape of the bore When seen horizontally, the interior of the bore of a recorder is not directly straight, but instead traces a free curve. Diagram of the internal bore of a recorder.

Structure Learning the names of its parts How is the sound of a recorder produced? How to Play Familiar but challenging recorder performances Recorder fingering. The gizmo key is a paddle on the lowest section of the flute the foot joint that gives the flute player access to a more stable 4th octave C source on a flute with a B foot joint.

The flute has very complex fingerings in comparison to many instruments—another complexity that is found on some flutes is the C trill key. The flute features 3 trill keys whose purpose is only to help trilling particular notes. The C is an additional therefore fourth trill key on many professional flutes. Some notes in some octaves are very difficult to trill and the trill keys make these notes more possible to trill.

There are several types of flutes that you will see in an orchestra. Ranging from common, to uncommon, to exotic. The tin whistle is one of the simpler flutes—in fact it is a fipple flute. Instead of the musician having to blow at the exact edge of the embouchure hole to make a sound the tin whistle actually makes the sound if you simply blow into the instrument.

The tin whistle has 6 holes. The head of recorders can be used as a noise, rhythm and effect instrument, since the recorder head works like a whistle. With a bit of practice, it is easy to play all kind of rhythms.

Effects are made by opening and covering the lower end of the head joint with the hand while blowing. This can make very much fun, especially with children. However, the noise level can be extremely loud, so earplugs are recommended when you play longer. Grove Music Online Oxford Music Online is the gateway offering users the ability to access and cross-search multiple music reference resources in one location.

Read More. If you are already a player of another modern wind instrument flute, oboe, saxophone , you will find the fingering patterns on soprano or tenor recorders to be close to those with which you are already familiar. If you can, start on the tenor rather than the soprano.

If you prefer playing Baroque music, you may want to start learning on an alto For players of modern wind instruments, you may find the finger spread of the alto recorder to feel much like your modern instrument--but the fingering pattern may take some adjustment: "all fingers down" is the fingering for "c" on most modern instruments, but produces "f" on the alto recorder.

The majority of Baroque sonata literature for the "flute" was composed for the alto recorder, so there is a lot of available music. What is the difference between recorders in "c" soprano or tenor and "f" alto? The fingering patterns are the same on all recorders, with minor variations according to instrument. These are the recorder family members often used playing for ensemble music. Unlike modern band instruments, for which the music is transposed, recorder players usually learn the note-names associated with fingerings for both c and f recorders.

For instance, on a soprano or tenor, the note that plays with the thumb and top two holes covered is A. On an alto or bass, that same fingering will play D. When you know the real note that you are playing, everyone can read off the same score, and this is useful for playing with mixed groups of recorders and other historic instruments, or with singers and keyboard players.

Plastic recorders have come a long way since Dolmetsch produced the first molded recorders in Bakelite. Around , the three major manufacturers of plastic recorders realized there was a market for well-made high end recorders and hired prominent recorder makers to design plastic models based on 18th century originals: the Aulos Haka, Yamaha Rottenburgh and Zen-On Bressan.

Each has slightly different characteristics, and the model you choose will be largely a matter of what you like in sound and response. The Yamaha Rottenburgh has a clear sound which is ideal for ensemble playing. What music should I buy to get started learning the recorder? These are all well-regarded method books for beginners. What do I look for when I buy a recorder in wood?

We recommend that you play on a quality plastic recorder rather than on a poorly made wood recorder. Some recorders, particularly older ones, were mass-produced with little attention to tuning or response. You will be better served by playing a well-designed plastic recorder. Ready to take the leap into wood? Here are some ideas for choosing a recorder in wood.